…if yeez can HEAR yer writing, yer on the right (sound) track…
…a true story I heard a few years ago concerned a six-year-old girl appearing as a key witness for the defence in a court case in the USA… the prosecuting lawyer sought to demonstrate to the jury that the child was incapable of recognizing fact from fantasy… he asked if the girl had a pet dog, to which she answered ‘yes’… he asked the dog’s name… she said ‘Pongo’… he continued, ‘do you speak to Pongo?’… she replied, ‘yes’… then he said , ‘…and does Pongo talk to you?’… she responded, ‘yes, of course Pongo talks to me’… the lawyer smirked, pleased to have shown the young lady as living in fantasy land… he asked the follow-up question, ‘…and just what does Pongo talk to you about?…’ she floored him and brought the court to a standstill in mirth with her response… ‘well, I don’t know, silly, he talks doggy talk!’… the defence prospered… y’see it’s all about what yeez hear when yeez write, and more importantly, what yer readers hear when they read yer masterpieces… dialogue is universally accepted as a multi-purpose element of any quill-scraper’s craft… it imparts information… it breaks up narrative passage when required… the choice of WURDS in the character dialogue, used properly, tells the reader about mood, attitude, sometimes even intelligence levels of the cast… a sometimes welcome ploy is to use dialogue to break grammatical rules… and what author doesn’t relish that?… anything written within quotation marks is fair play… vernacular, double negatives, ‘plants’ in the plot for later denouement… oh, dialogue ye make the WURLD the scribbler’s oyster… speech also helps to differentiate players in yer plots… even without the ascription of ‘said’ WURDS… readers can pick up immediately who’s talking, and to whom… so, next time sumb’dy asks yeez, ‘…do yer characters talk?’ yeez can say, ‘…of course they do, they talk character talk, silly…’ … no more need be said… a-hem…
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