In 2012, I attended my first writer’s conference. Although, at the time, I had already been writing for years. Walking in that first day, I was certain that at that point in time, I was ready to become a published writer. Turns out, I wasn’t.

An agent was kind enough to review my work, but I was devastated when she said I was likely a year away from being ready. Another year, I thought. I’ll never make it. Alas, after many more hours of writing and after completing multiple rewrites, just shy of two years later, I emerged with a completely different manuscript.

I just published my ‘first’ novel, “Secret Agent of God”. 

“Secret Agent of God”

I say ‘first’, but what I mean is third, because the other two never saw the light of day. My real ‘first’ novel, the one I attempted to write about twenty-five years ago, was a summery love story. From what I can recall, it was along the lines of Snooky’s book about the Jersey Shore, but mine was about a little known island called Block Island off the coast of Rhode Island. I think I still have the story in a shoebox somewhere. It was hand-written on an assortment of cocktail napkins and in several beer-stained, spiral notebooks.

My second novel was another lovelorn tale about a single working gal, who was very similar to my former single-self, but in a fictional setting. Said ‘gal’ tried desperately not to fall in love with a very attractive private detective who had just breezed into town. YAWN. Sixty-five thousand words into the manuscript and after (I’m too embarrassed to say how many years), I decided the story was not unique enough to publish.

What’s the moral of this story? Both of these writing exercises helped me to become a better writer and more importantly, they made me realize some things. I don’t really like writing romance unless it’s wrapped in another package like paranormal suspense. Furthermore, if my life were exciting enough to read about, I wouldn’t need to write fiction. Finally, it takes as long as it takes. While deadlines are important, you need patience to become a writer.

In my first published novel, I created a protagonist who is nothing like me, threw her into a crazy situation and viola! I wrote a fast-paced thriller, with a strong female protagonist who is quirky, upbeat and funny despite her bleak circumstances. I almost feel badly about everything I put poor twenty-one-year-old Janice Morrison through, but I’m confident that she can handle it. She is ‘spiritually challenged’ but remarkably resourceful.

The weird thing is, I keep thinking, that someday I’ll be signing books in a mall somewhere and Janice will walk right up to me and say, “Hey, you stole my life!”

Now wouldn’t that be something?